Best Global Music Performance

EoO — Bad Bunny
Cantando en el Camino — Ciro Hurtado
JERUSALEMA — Angélique Kidjo
Inmigrante Y Que? — Yeisy Rojas
Shrini’s Dream (Live) — Shakti
Daybreak — Anoushka Shankar Featuring Alam Khan & Sarathy Korwar

Best African Music Performance

“Love” — Burna Boy
“With You” — Davido Featuring Omah Lay
“Hope & Love” — Eddy Kenzo & Mehran Matin
“Gimme Dat” — Ayra Starr Featuring Wizkid
“Push 2 Start” — Tyla

Best Global Music Album

Sounds Of Kumbha — Siddhant Bhatia
No Sign of Weakness — Burna Boy
Eclairer le monde – Light the World — Youssou N’Dour
Mind Explosion (50th Anniversary Tour Live) — Shakti
Chapter III: We Return to Light — Anoushka Shankar Featuring Alam Khan & Sarathy
Korwar
Caetano e Bethânia Ao Vivo — Caetano Veloso and Maria Bethânia

Best Reggae Album

Treasure Self Love — Lila Iké
Heart & Soul — Vybz Kartel
BLXXD & FYAH — Keznamdi
From Within — Mortimer
No Place Like Home — Jesse Royal

Best New Age, Ambient, or Chant Album

Kuruvinda — Kirsten Agresta-Copely
According To The Moon — Cheryl B. Engelhardt, GEM, Dallas String Quartet
Into The Forest — Jahnavi Harrison
Nomadica — Carla Patullo Featuring The Scorchio Quartet & Tonality
The Colors In My Mind — Chris Redding

Grammy 2026, film e musica classica : Best Score Soundtrack For Visual Media (Includes Film and Television)

How to Train Your Dragon – John Powell, composer
Severance: Season 2 – Theodore Shapiro, composer
Sinners – Ludwig Göransson, composer
Wicked – John Powell & Stephen Schwartz, composers
The Wild Robot – Kris Bowers, composer

Best Music Video

“Young Lion” — Sade
Sophie Muller, video director; Sade & Aaron Taylor Dean, video producers
“Manchild” — Sabrina Carpenter
Vania Heymann & Gal Muggia, video directors; Aiden Magarian, Nathan Scherrer & Natan Schottenfels, video producers
“So Be It” — Clipse
Producer Hannan Hussain, video director; Daniel Order, video
“Anxiety” — Doechii
James Mackel, video director; Pablo Feldman, Jolene Mendes & Sophia Sabella, video producers
“Love” — OK Go
Aaron Duffy, Miguel Espada & Damian Kulash Jr., video directors; Petra Ahmann, video producer

Best Music Film

Devo — Devo
Chris Smith, video director; Danny Gabai, Anita Greenspan, Chris Holmes & Chris Smith, video producers
Live at the Royal Albert Hall — Raye
Paul Dugdale, video director; Stefan Demetriou & Amy James, video producers
Relentless — Diane Warren
Bess Kargman, video director; Peggy Drexler, Michele Farinola & Kat Nguyen, video producers
Music by John Williams — John Williams
Laurent Bouzereau, video director; Sara Bernstein, Laurent Bouzereau, Justin Falvey, Darryl Frank, Brian Grazer, Ron Howard, Meredith Kaulfers, Kathleen Kennedy, Frank Marshall, Steven Spielberg & Justin Wilkes, video producers
Piece by Piece — Pharrell Williams
Morgan Neville, video director; Morgan Neville, Caitrin Rogers, Mimi Valdes & Pharrell Williams, video producers

Best Recording Package

And The Adjacent Possible — Hà Trinh Quoc Bao, Damian Kulash, Jr., Claudio Ripol, Wombi Rose & Yuri Suzuki, art directors (OK Go)
Balloonerism — Bráulio Amado & Alim Smith, art directors (Mac Miller)
Danse Macabre: De Luxe — Rory McCartney, art director (Duran Duran)
Loud Is As — Farbod Kokabi & Emily Sneddon, art directors (Tsunami)
Sequoia — Tim Breen & Ken Shipley, art directors (Various Artists)
The Spins (Picture Disc Vinyl) — Miller McCormick, art director (Mac Miller)
Tracks II: The Lost Albums — Meghan Foley & Michelle Holme, art directors (Bruce
Springsteen)

Best Album Cover

Chromakopia — Shaun Llewellyn & Luis “Panch” Perez, art directors (Tyler, the Creator)
The Crux — William Wesley II, art director (Djo)
Debí Tirar Más Fotos — Benito Antonio Martinez Ocasio, art director (Bad Bunny)
Glory — Cody Critcheloe & Andrew J.S., art directors (Perfume Genius)
Moisturizer — Hester Chambers, Ellis Durand, Henry Holmes, Matt de Jong, Jamie-James Medina, Joshua Mobaraki & Rhian Teasdale, art directors (Wet Leg)

Best Album Notes

Adios, Farewell, Goodbye, Good Luck, So Long: On Stage 1964-1974 — Scott B. Bomar, album notes writer (Buck Owens And His Buckaroos)
After the Last Sky — Adam Shatz, album notes writer (Anouar Brahem, Anja Lechner, Django Bates, Dave Holland)
Árabe — Amanda Ekery, album notes writer (Amanda Ekery)
The First Family: Live At Winchester Cathedral 1967 — Alec Palao, album notes writer (Sly & The Family Stone)
A Ghost Is Born (20th Anniversary Deluxe Edition) — Bob Mehr, album notes writer (Wilco)
Miles ’55: The Prestige Recordings — Ashley Kahn, album notes writer (Miles Davis)

Best Historical Album

Joni Mitchell Archives – Volume 4: The Asylum Years (1976-1980) — Patrick Milligan & Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)
The Making Of Five Leaves Left — Cally Callomon & Johnny Chandler, compilation
producers; Simon Heyworth & John Wood, mastering engineers (Nick Drake)
Roots Rocking Zimbabwe – The Modern Sound Of Harare’ Townships 1975-1980 (Analog Africa No.41) — Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)
Super Disco Pirata – De Tepito Para El Mundo 1965-1980 (Analog Africa No. 39) — Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)
You Can’t Hip A Square: The Doc Pomus Songwriting Demos — Will Bratton, Sharyn Felder & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Doc Pomus)

Best Engineered Album, Non-Classical

All Things Light — Jesse Brock, Jon Castelli, Tyler Johnson, Nick Lobel, Simon Maartensson, Lawrence “Boo” Mitchell, Anders Mouridsen, Ryan Nasci, Ernesto Olivera-Lapier, Ethan Schneiderman & Owen Stoutt, engineers; Dale Becker, mastering engineer (Cam)
Arcadia — Neal Cappellino & Gary Paczosa, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)
For Melancholy Brunettes (& sad women) — Joseph Lorge, Blake Mills & Sebastian Reunert, engineers; Patricia Sullivan, mastering engineer (Japanese Breakfast)
That Wasn’t A Dream — Joseph Lorge & Blake Mills, engineers; Patricia Sullivan,
mastering engineer (Pino Palladino, Blake Mills)

Best Engineered Album, Classical

Cerrone: Don’t Look Down — Mike Tierney, engineer; Alan Silverman, mastering
engineer (Sandbox Percussion)
Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2 — Gintas Norvila, engineer; Jennifer Nulsen, mastering engineer (Franz Welser-Möst & The Cleveland Orchestra)
Shostakovich: Lady Macbeth Of The Mtsensk District — Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons, Kristine Opolais,
Günther Groissböck, Peter Hoare, Brenden Gunnell & Boston Symphony Orchestra)
Standard Stoppages — Sean Connors, Robert Dillon, Peter Martin, Bill Maylone, Judith Sherman & David Skidmore, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)
Yule — Morten Lindberg, engineer; Morten Lindberg,
mastering engineer (Trio Mediæval)

Producer Of The Year, Classical

Blanton Alspaugh
Sergei Kvitko
Morten Lindberg
Dmitriy Lipay
Elaine Martone

Best Orchestral Performance

Coleridge-Taylor: Toussaint L’Ouverture; Ballade Op. 4; Suites From ’24 Negro Melodies’ — Michael Repper, conductor (National Philharmonic)
Messiaen: Turangalîla-Symphonie — Andris Nelsons, conductor (Boston Symphony
Orchestra)
Ravel: Boléro, M. 81 — Gustavo Dudamel, conductor (Simón Bolívar Symphony
Orchestra Of Venezuela)
Still & Bonds — Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
Stravinsky: Symphony In Three Movements — Esa-Pekka Salonen, conductor (San Francisco Symphony)

Best Opera Recording

Heggie: Intelligence — Kwamé Ryan, conductor; Jamie Barton, J’Nai Bridges
& Janai Brugger; Blanton Alspaugh, producer (Houston Grand Opera; Gene Scheer)
Huang Ruo: An American Soldier — Carolyn Kuan, conductor; Hannah Cho, Alex DeSocio, Nina Yoshida Nelsen & Brian Vu; Adam Abeshouse, Silas Brown & Doron Schachter, producers (American Composers Orchestra; David Henry Hwang)
Kouyoumdjian: Adoration — Alan Pierson, conductor; Miriam Khalil, Marc
Kudisch, David Adam Moore, Omar Najmi, Naomi Louisa O’Connell & Karim Sulayman; Mary Kouyoumdjian, producer (Silvana Quartet; The Choir Of Trinity Wall Street)
O’Halloran: Trade & Mary Motorhead — Elaine Kelly, conductor; Oisín Ó Dálaigh & John Molloy; Alex Dowling & Emma O’Halloran, producers (Irish National Opera Orchestra; Mark O’Halloran)
Tesori: Grounded — Yannick Nézet-Séguin, conductor; Ben Bliss, Emily
D’Angelo, Greer Grimsley & Kyle Miller; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus; George Brant)

Best Choral Performance

Advena – Liturgies For A Broken World — Craig Hella Johnson, conductor (Simon Barrad, Emily Yocum Black & Michael Hawes; Conspirare)
Childs: In The Arms Of The Beloved — Grant Gershon, conductor (Billy Childs, Dan
Chmlellnskl, Christian Euman, Larry Koonse, Lyris Quartet, Anne Akiko Meyers, Carol Robbins & Luciana Souza; Los Angeles Master Chorale)
Lang: Poor Hymnal — Donald Nally, conductor (Steven Bradshaw, Michael
Hawes, Lauren Kelly, Rebecca Siler & Elisa Sutherland; The Crossing)
Ortiz: Yanga — Gustavo Dudamel, conductor; Grant Gershon, chorus
master (Los Angeles Philharmonic & Tambuco Percussion Ensemble; Los Angeles Master Chorale)
Requiem Of Light —Steven Fox, conductor; Emily Drennan & Patti Drennan, chorus masters (Brian Giebler & Sangeeta Kaur; The Clarion Choir)

Best Chamber Music/Small Ensemble Performance

Dennehy: Land Of Winter — Alan Pierson & Alarm Will Sound
La Mer – French Piano Trios — Neave Trio
Lullabies For The Brokenhearted — Lili Haydn & Paul Cantelon
Slavic Sessions — Mak Grgić & Mateusz Kowalski
Standard Stoppages — Third Coast Percussion

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